The other night, I broke down and ordered a “stupid movie” On Demand. I like these kinds of movies – the ones that are for pure entertainment and don’t make you think all that hard. So, I rented “Push,” mostly because I like movies about superpowers.
Overall, I found the movie to be slowly plotted and my attention drifted in the last 30 minutes. What I did respect about the movie was the story world that was created. In the story world, certain people have particular powers. For examples, those people called Sniffers have the ability to smell something and “read” the life of the object. Pushers can make you think and believe certain things. These powers are basically the same as those found in “Heroes” and, to some extent, “The X-Men.” What was interesting was two-fold: First, it is clear that the writers and creators have a whole backstory to the world in their story, not all of which is communicated to the viewers. People in this world have certain vocabulary which they use. Second, these details are revealed gradually, not because they offer any kind of suspense or play any role in the plot of the story. They are revealed in somewhat the same way as they would be revealed in real life as if the viewer had been dropped into the scenario. There is an explanatory monologue at the beginning of the movie given by one of the characters, but this monologue is only cursory. Not every detail about the story world or its history is revealed in that monologue.
This led me to consider the story worlds in all stories, even those that do not have a fantasy or sci-fi element to them. Characters have a history – all of which cannot be revealed to the reader. So, what does an author choose to reveal? How is it revealed? Why is it revealed in that way? What effect can a particular technique of revealing the story world have on the reader? How does that technique create mood? These are all questions which have been brought to my mind as a result of this “stupid movie”.
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